A foot position taken either forward or backward in CBMP that is taken further over the path of the other foot.
(1) The direction that the feet are pointing in relationship to the room and the line of dance.
(2) The position of the different body parts relative to one another. Proper alignment is achieved by lining up the different “blocks of weight”: the head, shoulders, rib cage, hips, legs, and feet. Related terms are Poise and Posture.
Amount of Turn
The amount of turn, described in fractions, to indicate how much turn is made on one foot or between two or more consecutive steps. Related terms are Body Turn, Body Turns Less and Body Completes Turn.
A term used in the description of Alignments to specify a step which is moving backwards (i.e. Backing LOD, Backing DC). Related terms are Facing and Pointing.
Elevation of the body achieved by straightening the knees.
Amount of turn of the body when it is different from the feet.
Body Turns Less/ Body Completes
Turn Used primarily on the inside of turns when the amount of body rotation is less than the amount of turn made by the feet. Body Turns Less is usually followed on a subsequent step by Body Completes Turn.
(1) Body sway, which does not result from the natural swinging action of the body.(i.e. Oversway).
(2)Dropping of the side during a normal sway.
The action of closing the moving foot to the standing foot without changing weight, between steps.
(1) The middle of the dance floor.
(2) In the technique charts in manuals, the Center refers to an imaginary line running parallel to the Wall and dividing the room, and is different on each line of dance.
Contra Body Movement (CBM)
Used to commence turns in the Ballroom dances. Occurs only on forward and backward steps and is the action of turning the right side of the body toward the left moving leg or the left side of the body toward the right moving leg.
Contra Body Movement Position (CBMP)
A foot position taken forward or backward where the foot is placed on the same track or across the track of the other foot. This position is always used when stepping outside partner in order to maintain a good body position .It is also used on LF forward walks and RF back Walks in Tango. This concept is frequently confused with Contra Body Movement because of the similarity of the names, but it is important to remember that CBMP is not a turn of the body, but rather a placement of the foot.
A distinctive hip movement used in most American Style Latin dances achieved by alternating the bending and straightening of the knees with carefully timed weight changes. The hip action in the International Style Latin dances differs in that weight is taken onto a straight leg instead of a bent knee with a more direct weight change.
Movement either forward or backward which is simultaneously lateral (sideways) and progressive (forward or backward.
The components of a dance pattern, i.e. footwork, sway, CBM, etc. that make up a figure and creates the product of what the figure is.
A term used when presenting alignments to mean that the body and feet are positioned in the same direction. (i.e. Facing LOD, Facing Wall)
Used in the ?footwork? section of a technical manual this means that the whole of the foot is on the floor during a particular movement. (i.e. 3rd step of Samba Walk, 2nd step of a Reverse Turn in Tango for follower.)
The particular figures, which can logically by danced after a given figure.
The direction of the moving foot in relation to the standing foot. Common foot positions are LF Forward, RF Side, LF closes to RF.
Elevation of the body using the ankles by pushing up onto the balls or toes of the fee
The part of the foot in contact with the floor at a specific point in time. (i.e. Heel, Heel Toe, Toe Heel, Toe)..
A turn on the heel of one foot.
The part of the foot which is on the inside edge, between the ball and the heel.
Latin Hip Motion
The specific hip action used in the International Latin dances, characterized by stepping on a straight leg with a slightly quicker transference of weight. Cuban Motion is another type of hip motion used in the American Style rhythm dances.
Line of Dance
Refers to the direction of movement in a ballroom that is parallel to the walls and moves counter clockwise around the room so that all the dancers travel in the same direction.
The action of coming down from a position of rise by bending the knees and lowering the heel to the floor. It is a characteristic of Waltz, Viennese Waltz, Foxtrot, and Quickstep.
Used in connection with Alignments as given in a technical manual to mean the direction that one is traveling when different from the direction that the foot is pointing (i.e.1st step of a Closed Promenade in Tango)
Moving Foot/Moving Leg
Refers to the foot or leg that is about to take a step verses the foot or leg that has the weight (standing leg).
No Foot Rise
Indicates that the dancer should not rise to the toe of the foot, but rather keep the foot flat. This action is used on the inside of turns on the back step and also on progressive backward steps in certain dances (i.e. Foxtrot). This will typically be abbreviated NFR in dance manuals.
The foot which is furthest from partner when in Promenade, Outside Partner, or Side-by-Side Position.
A turn on the ball of the foot keeping the free leg held forward or back in CBMP.
A movement that occurs on a Right foot Forward pivot with the Left Foot not held in CBMP.
An extension of the free leg in any direction placed on the floor without weight, and with the heel raised and only the toes in contact with the floor.
An alignment term meaning that the foot is placed in a particular direction (usually to the side) that is different from the direction that the body is facing.
The particular figures which can logically by danced before a given figure.
Rise and Fall
The rising and lowering of the body through the flexing and straightening of the knees, ankles and feet.
The older and now outdated term for Side Leading
This action refers to taking a Forward or Backward step where the entire side of the body moves with the leg. Used to prepare to step outside partner and also used on Right Foot Forward Walks (Left Foot back Walks for follower) in Tango.
Standing Leg/Standing Foot
The leg (or foot) that is holding the majority of the weight so that the other leg (foot) is free to move.
A complete transference of weight from one foot to another.
Supporting Leg/Supporting Foot
Same as Standing Leg/Standing Foot to mean the leg or foot that is holding the majority of the weight so that the other foot is free to take the next step.
An inclination of the body away from the moving foot, usually toward the inside of a turn. In some cases, however, sway may be made toward the moving foot. Normal sway is a result of hip swing. Broken sway is a result of bending from the waist.
A turn on the ball of one foot prior to taking a step.
Touching the floor with the free foot without weight. It is usually placed close to the standing foot with the ball of the foot.
A turn on the toes of both feet, with feet together. Example: Double Reverse Spin and Outside Spin.
The action used when stepping backwards where the toe of the front foot lifts from the floor leaving the heel in contact with the floor.
The precise and specific manner of taking a back step in the Ballroom dances.
The precise and specific manner of taking a forward step in the Ballroom dances.